Mystic Queen by Sandhya Mulchandani

Next Item >>

Features

ARTIST NOTES: This artwork, titled “Mystic Queen” is a homage to the grandeur and elegance of the Mughal era. Inspired by the rich cultural heritage and intricate artistry of Mughal art, this piece captures the essence of regal femininity and timeless beauty. The central figure, a queen adorned in traditional Mughal attire, exudes grace and poise. Her elaborate jewelry and intricately designed garments reflect the opulence and attention to detail characteristic of the Mughal period. The peacock feather fan she holds symbolizes royalty and beauty, adding a touch of mystique to her serene demeanor. The background, with its vibrant colors and abstract clay frame, called jharokha, creates a harmonious blend of tradition and contemporary style. This fusion not only highlights the queen’s majestic presence but also brings a modern twist to the classical art form. Through this artwork, I aim to celebrate the enduring legacy of Mughal art and its influence on
Frame: The frame of “Mystic Queen” is a masterpiece in itself made with clay, featuring ornate window called jharokha. The intricate designs of the frame reflect the opulence of the Mughal era. Detailed depictions of peacocks, symbols of beauty and royalty, adorn the frame, enhancing the overall elegance of the piece. The meticulous craftsmanship of the frame complements the artwork, creating a cohesive and immersive experience for the viewer.

DIMENSIONS (Height - 100.00 cm X Width - 76.00 cm )
MEDIUM ON BASE Other Medium on Canvas
GENRE Portrait
REGISTERED NRN # 000-46497-0140-01
COPYRIGHT © Sandhya Mulchandani
PRIZES AND AWARDS No Awards
STATUS
View At Home

 

Other images
 

Artist: Sandhya Mulchandani



ARTIST BIO

As a bas-relief artist, my work is a testament to the rich heritage of Indian relief sculpture art, influenced by the intricate works of the Mughal era. Growing up in India, I was always captivated by the depth and form of the relief art that can be created from a flat surface, as if conjuring life from nothingness. The feel of clay in my hands, its texture, and the transformation it undergoes under my touch is a deeply spiritual experience for me, a journey towards something greater than myself.

In my artistic journey, I have been exploring new techniques to make my relief work appear more embossed and captivating. I strive to incorporate the pronounced embossing characteristic of high-bas relief in my work, creating a sense of depth and dimension that is both visually striking and tactile.

My medium is not limited to cement; I experiment with a variety of materials to achieve this embossed effect. This constant experimentation not only enriches my work but also pushes the boundaries of traditional bas-relief art.

A significant aspect of my work is the use of vibrant colours. The interplay of colours brings a new dimension to my sculptures, adding a layer of visual appeal that enhances the overall impact of the artwork.

Now residing in Adelaide, I find myself drawn to the unique flora and fauna of this land. The rich biodiversity and heritage of Australia have become a new source of inspiration for my work, influencing my artistic expression in profound ways.

Through my work, I aim to bridge cultures, blending the traditional relief art of India with the natural beauty of Australia. Each piece I create is a celebration of this fusion, a tribute to the enduring power of nature, and a reflection of my ongoing journey as an artist.

Exhibitions:

2024 - SALA FESTIVAL - Exploring the Fabric of Making

2024 - SALA FESTIVAL - SALA @ The Summit